Hail the Effectron!

I’m a bit of a Deltalab fan. The first one I used was an Acousticomputer – it was rubbish, but very entertaining rubbish. The later Effectrons really hit the spot and, even now, are great tools for warping & twisting sounds

I am collecting Deltalab & Effectron info together on this page so check back for updates!

Some items have a PDF link to a user manual or catalogue or a schematic

Product links & Info

 

Effectron

Super Time Line

Other Deltalab kit

 

Random weblinks

 

Preservation Sound

http://www.preservationsound.com/?p=2088

TapeOp forum

https://messageboard.tapeop.com/viewtopic.php?t=59090

https://messageboard.tapeop.com/viewtopic.php?t=83894

Music Electronics Forum

https://music-electronics-forum.com/showthread.php?t=3678

DeltaLab Effectron, I, II, III ADM (Blue) Digital Delays From The 80’s (what I know so far)

Youtube Demos

 

Youtube demo (weird noises mainly)

 

Period adverts

 

Effectron – PDF

Effectron II – PDF

Effectron Ad 1 –

Effectron Ad 2 –

Effectron I - II - III features

Effectron I – II – III features

Effectron Ad 2

The Dolby Trick – Hardware Setup

I had an enquiry recently about how to setup a 361 to perform “The Dolby Trick”. This is the basic setup:

Audio routing

  • DAW (effects send, bus, etc) —> audio interface —> Dolby “line in”
  • Dolby “to rec” output —> audio interface —> DAW channel line in

Send the signal to the Dolby & record the output. You’ll need to compensate for the audio interface latency

Dolby 361 back panel

 

 

 Hardware setup

  • Set NR in and Rec on (white & red buttons pushed in)
Dolby 361 with Modified Cat 22 Dolby Trick Card

Dolby 361 front panel

 Notes

If you’re using a standard Cat.22 Dolby A card the output of the 361 will be the encoded signal – ie the original signal plus the processing. This means balancing the effect will take a bit of juggling with levels to get the effect you want

For a deeper effect & easier use a modified Cat.22 is a useful tool

How it works

As you reduce the level going into the Dolby the effect will increase. Dolby A encoding uses a multiband expander so more level = less effect, the inverse of a compressor, and the inverse of the decode process. For the Dolby Trick there is no decode process, just encoding

The NR in / out switch should give an obvious effect if you monitor the return signal. If you hear no effect, reduce the level into the Dolby

Theory

Dolby A passes the audio signal through a four-band compander. A sidechain determines the level of encoding for each band. In the encode process the sidechain-generated signal is summed with the audio, to create the encoded signal, and recorded to tape. On playback the sidechain recreates the encoded signal and subtracts it, decoding the signal

As a compander, Dolby A raises low-level signals during recording and lowers them again on playback. This has the effect of reducing tape noise by the same amount. There’s a lot of subtlety in the details – in the way the bands are chosen, the amount of expansion & compression and how these are optimised for maximum perceived effect and minimum artefacts

Hardware

The 361 (and earlier 360) are hardware interfaces with no audio electronics but with input & output transformers. They have the power supply and switching to route audio to and from the Cat.22

The Cat.22 has audio electronics, input & output stages, sidechain and four bands of processing on one card. It’s all Class A, transistor-based circuitry

The separation of audio path and support hardware was a highly significant move. It meant Cat.22 noise reduction cards could be used in other hardware interfaces such as the M16 & M8 multitrack units and film playback systems. It also allowed the next generations of noise reduction, Dolby SR, to use existing interfaces

Ray Dolby was a clever guy, a true audio pioneer